Amplifying voices, individual experiences, and perspective from below
Decentering the curriculum of Eastern Europe by diversifying primary sources
Creating a collaborative space for learning about history and culture
Bridging academic and public audiences
Sharing reflections on learning and teaching about Eastern Europe
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TV News from a Lviv Television Studio in the 1960s
The task of popularizing the Soviet government’s approach to solving the “housing issue” in the Ukrainian SSR was entrusted not only to trade unions and their media—such as construction or architectural magazines—or to artists working in theater and cinema, but also to television. A television studio in Lviv was established in 1955, and by 1957 it was already actively producing local news. These broadcasts typically featured several short stories, each lasting from one to three minutes, focused on the region’s economic and cultural development. When not aired live—live broadcasts being made possible through the use of a mobile television station—the news segments were filmed on 16 mm film by traveling television crews. The...
The Irony of Fate, or Enjoy Your Bath!, a 1975 Soviet Film
In 1969, Soviet playwrights Emil Braginskiy and Eldar Riazanov wrote the play Enjoy Your Bath! Or Once Upon a Time on New Year’s Eve, which quickly became a favorite in Soviet theaters. In the early 1970s, the decision was made to adapt it for television, leading to the premiere of the two-part TV movie during the New Year’s holidays of 1975–1976. Much like the 1959 Moscow operetta about the Cheryomushki neighborhood, a popular theatrical plot was reimagined in a new medium—this time, not through cinema but television. Unlike the 1963 film musical Cheryomushki, the adaptation took the form of a television movie enriched with numerous musical interludes, which became widely popular after its...
Moscow, Cheryomushki, a 1959 Soviet Operetta
On December 24, 1958, the premiere of the three-act operetta Moscow, Cheryomushki took place at the Moscow Operetta Theatre. The music was composed by the renowned Soviet composer Dmitri Shostakovich, and the production was widely referred to in the media as the “Shostakovich operetta.” The official opening followed on February 24, 1959, and the work was met with favorable responses from both audiences and critics. The libretto was written by prominent Soviet playwrights and screenwriters Vladimir Mass and Mikhail Chervinsky. The stage production was directed by Vladimir Kandelaki and Leon Zaks, with Grigori Stoliarov as conductor, Georgi Kigel as set designer, and Halyna Shakhovska as choreographer. Two years after the premiere, Shostakovich’s friend,...
Cheryomushki, a 1963 Soviet Film
In 1961, the USSR’s cinematic authorities approved the idea of adapting the operetta Moscow, Cheryomushki into a film, and the search for a director began. The creators wanted someone with a musical background, so they turned to Herbert Rappaport, a professional musician. Rappaport had gained experience in musical cinema through his participation in Grigori Kozintsev’s Don Quixote (1957, Lenfilm), a renowned Soviet film that received international awards. Interestingly, Rappaport—an ardent admirer of the Austrian composer Gustav Mahler—enjoyed the music of the operetta. His idea to adapt the play into a film received support from Nikolai Rabinovich, professor at the Leningrad Conservatory and chief conductor of the local symphony orchestra, who became the conductor...
Maria Linchak, from the Story of One Lviv Handmaid (1906-1909)
The 13 notes presented here are a compilation of all the diary entries by Teofil Hrushkevych, a retired Lviv gymnasium teacher, that mention a servant in his household named Maria Linchak (most often referred to as Marynka or Marynia). These references span more than three years, from 1906 to the autumn of 1909, marking the period during which she worked for the Hrushkevych family. Among all the notes the author made about the servants in his household, Maria Linchak is the most frequently mentioned. Alongside her name, we find at least nine other women who worked for the Hrushkevychs before or after Maria, up until the outbreak of World War I. With the...
Excerpt from Chone Gottesfeld’s travelogue ‘My Trip to Galicia’, dedicated to Ternopil (1937)
This excerpt is taken from a travelogue of impressions and experiences by the renowned journalist Chone Gottesfeld of the New York Yiddish-language newspaper Forverts (Yiddish: פֿאָרווערטס, English: The Forward), published in New York in 1937. In it, the author recounts a journey to his hometown of Skala, which he had left in 1907. At the time, Skala was an atypical Galician town that had flourished during the Austrian period due to the large number of Hasidic pilgrims visiting local tzaddikim in nearby Chortkiv. However, the town fell into decline during the interwar years. Gottesfeld, known for his humorous newspaper stories and for plays performed in both New York and Warsaw, offers in this...
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