Soviet
The category of Soviet consists of a variety of aspects of Communist and Socialist Studies, which at different universities can be located within departments of East European studies. This research focus attempts to tackle questions relating to various facets of Soviet society, such as trade relations, nationality policy, human rights, socialist empire, or collectivization and famines in the USSR. Soviet history is often comprehended through metaphors like “party-state,” “totalitarianism,” “thaw,”, “perestroika,” “revolution from above,” “communist labor,” and “post-Soviet,” among others. The purpose of an educational platform is not to confirm or negate such metaphors, or to fill all the thematic or chronological blocks of Soviet history, but rather to enrich our knowledge of European socialism with fresh resources and narratives. Here historians can find materials related to the party-state system, the socialist ambition to create a new man, the way in which people imagined communist societies, urban utopias, and totalitarian practices.
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Primary Sources
Letter from Vasyl Stus to PEN International, 11 August 1976
This letter, written by Ukrainian poet, literary critic, human rights activist, and dissident Vasyl Stus, was addressed to PEN International, the global association of writers. Stus penned the letter while serving a sentence in a labor camp in the village of Matrosovo, Tenkivsk District, Magadan Oblast, USSR. He was convicted under Article 62 of the Criminal Code of the Ukrainian SSR (analogous to Article 70 of the Criminal Code of the RSFSR), which charged him with “Anti-Soviet agitation and propaganda.” The letter later became evidence in a new criminal case initiated against Stus in 1980, following his return to Kyiv after completing his initial eight-year sentence. This appeal to the international literary community...
Directorate of Foreign Broadcasting of the USSR State Television and Radio Broadcasting on the Secrecy Regime and Work with Foreigners, 1977
This report, delivered by Leonid Avksentiev, editor-in-chief of the Main Directorate of Radio Broadcasting to Foreign Countries (Directorate of Foreign Broadcasting) under the Ukrainian SSR State Committee for Television and Radio Broadcasting, was presented at the Directorate’s general party meeting in August 1977. The document is held at the Central State Archive of Public Associations and Ukrainian Studies (ЦДАГОУ) in Kyiv. The Directorate of Foreign Broadcasting of the Ukrainian SSR State TV and Radio Broadcasting managed Radio Kyiv, the Ukrainian Soviet broadcasting station that operated on shortwave radio, primarily aimed at Europe and North America, from 1950 to 1991. As part of the broader network of Soviet international broadcasting, Radio Kyiv focused on...
Ministry of Communications of the Ukrainian SSR on Jamming Foreign Radio Stations in the Republic, 1982
This document is a report from Heorhii Sinchenko, Minister of Communications of the Ukrainian SSR, to the Central Committee of the Communist Party of Ukraine on the subject of “counteracting anti-Soviet radio broadcasting.” The report includes a list of shortwave radio stations targeted for jamming and provides an overview of the relevant infrastructure in 1982. In addition to Western stations such as Radio Liberty/Radio Free Europe, the BBC, Deutsche Welle, South Korea’s Radio Korea, and the Voice of Israel, broadcasters from socialist countries with strained relations with the USSR—like Albania’s Radio Tirana and China’s Radio Beijing—were also jammed. In total, 37 "anti-Soviet" radio stations broadcast into Soviet Ukraine. During the early 1980s, as...
A satirical report by the Soviet magazine Perets on the use of official vehicles for private Affairs, 1960
The humorous and satirical magazine Perets, published (albeit intermittently) since 1922, served as a supplementary weapon for the government in its fight against social issues. Its editorial board frequently aligned with various official campaigns, wielding its sharp wit to expose violations, shortcomings, and vices, thereby shaping public attitudes. Hryhorii Bezborodko, an experienced feuilletonist for Perets, often targeted the “antipodes of Soviet morality,” such as indifference, mismanagement, careerism, and other societal flaws. His report was no coincidence; it aimed to bolster the campaign against the misuse of official vehicles. Despite the 1959 restrictions on the use of state cars, members of the nomenklatura continued to exploit loopholes, necessitating public shaming rather than relying solely...
Corruption in Kolomyia, Stanislav (Ivano-Frankivsk) Oblast, 1962
In the early 1960s, the Ukrainian prosecutor's office reported to the Central Committee of the Communist Party of Ukraine about “exposed groups of large-scale embezzlers of socialist property and bribe-takers who had long been operating within various sectors of the national economy.” The scale of the defendants' shadow income was staggering: during investigations into four cases, authorities seized hundreds of thousands of rubles, single-story houses, kilograms of gold, dozens of cars, and other assets. Such wealth was enabled by a well-developed “shadow economy.” Despite inflated economic plans, strict resource controls, and rigorous oversight, resourceful producers consistently found ways to generate “surplus” production, which they used to enhance their own comfort and secure patronage....
Illegal Construction of Dachas in Kherson, 1970
The satisfaction of Soviet citizens’ basic needs led to a growing demand for an improved quality of life, with one key indicator being access to comfortable recreation. Members of the nomenklatura became active participants in the establishment of “gardening societies,” which involved allocating land plots to factory workers for gardening and horticulture. However, the widely publicized “Kherson case” revealed that their interest lay less in gardening and more in personal comfort. Instead of allowing the construction of simple “summer-type buildings,” the nomenklatura opted for “permanent brick large summer cottages, often equipped with heating.” These practices not only violated the 1960 government decree banning the construction of such dachas but also involved the illegal...
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View on the Monument to the Soviet Constitution, Lviv 1940
The monument to the Soviet constitution, or the Stalin Constitution, was built in Lviv in October 1939. The authors were the sculptor Serhyi Lytvynenko and Kyiv artist Mykhailo Dmytrenko, it’s possible that, the artists adapted the project, originally conceived in Moscow, to the new city conditions. The sculptors Yevhen Dzyndra and Andryi Koverko carried out the project, but the participation of Lytvynenko’s student the young sculptor Yakiv Chaika is also a possibility. The monument was made in the ceramic-sculpture factory, which opened on Muchna St. in 1939. The location for the monument was chosen in the city centre, the “island” on the boundary mark of the Hetman embankments, between Yahellon’ska st. and Holy...
Members of the cinema club in the village of Novooleksandrivka, Ukrainian SSR, during a film shoot, May 1981
In addition to film studios, which predominantly comprised adults, the network of amateur filmmaking also encompassed groups tailored for children and teenagers, typically organized within houses of culture or schools. Oversight of these groups was typically carried out by representatives from People’s Studios and local film clubs. The archival caption of this photograph reads as follows: “Members of the cinema club at the House of Culture in the village of Novoaleksandrovka, Belovodsk district, Voroshilovgrad oblast, during a film shoot. From left to right: students Naydysh A, Petrov P, the club’s leader Kolesnik V. I., student Burian V. — village Novoaleksandrovka, 15 May 1981, by Y. Khromushyn (outdoors against the backdrop of a river).”
Film amateurs of the steam locomotive and car repair plant, photograph dated of 1956
“The initiators of a film studio at the steam locomotive and truck repair plant (from the left to the right) Slutskyn S.S., Art Club Director of Tool and Inventory Shop, Skybalo G.L., Director of Radio Broadcasting Center, and Zirka A.V. are looking through the first shots of the new film about the plant, Lviv December 7th, 1956". This archival record accompanies this photograph in the Central State Audio/Visual and Electronic Archive (until the recent times called Central State G.S. Pshenychnyi Filming Archive) in Kyiv. Despite it is the official representation of film amateurs that was probably created for the purpose of media publications, careful analysis of the details makes it possible to discern...
Wall newspaper of Kostyantynivka’ bottling plant, 1967
This wall newspaper is part of a series of wall newspapers from the Kostiantynivka bottling plant, created in 1967. The series consisted of 13 excerpts dedicated to local participants in the fights against the White Guards after the First World War. Thirteen newspaper issues reveal the plant's history, explain its name "13 Executed Workers Plant", and call for the publication of photographs and memories related to the confrontation with the White Guards. The presented here example tells the story of the family of Bobylov Aleksandr Semenovych and Bobylova-Chumychkina Mariia Semenivna, who were participants in the revolutionary movement. In 1918-1920, Kostiantynivka underwent numerous power changes, seized first by the White Guards and then by...
A worker from the Lviv Confectionery Factory “Bilshovyk,” T.M. Etinger, at work, 1956
The photo is part of the collection of press photos from the State Archives of Lviv Region showing different economic areas: industry, agriculture, culture, and sports. The photo shows a worker of Lviv Confectionery Factory, T.M.Etinger. According to the accompanying inscription, she is “one of the best” workers, a labour veteran). She is captured at making a Kremlin’s Savior Tower. The nature of this photo and of the entire collection implies the genre of press photos that had to accompanied by a text (newspaper publication). The photo was meant to illustrate the message, to make it sound more convincing, to encourage and inspire the reading workers to accomplish more in their labour. In...
Members of the Communist Labor Brigade and the presentation of Komsomol tickets at the Mariupol Heavy Machinery Plant
The photo shows the moment of the ceremonial presentation of a Komsomol ticket to an employee of the Mariupol heavy engineering plant. In addition to the ticket, a party or Komsomol functionary hands an unknown woman a pennant, which may indicate that this new Komsomol member has already achived significant results in the performance of the party’s labor tasks. Most likely, she is a representative of the leaders of the plant, and it was important for the Soviet system that the leaders of the production were part of the Komsomol-party asset. If we follow the name of this source, then the young worker is part of the “communist labor brigade”, which was an...
TV News from a Lviv Television Studio in the 1960s
The task of popularizing the Soviet government’s approach to solving the “housing issue” in the Ukrainian SSR was entrusted not only to trade unions and their media—such as construction or architectural magazines—or to artists working in theater and cinema, but also to television. A television studio in Lviv was established in 1955, and by 1957 it was already actively producing local news. These broadcasts typically featured several short stories, each lasting from one to three minutes, focused on the region’s economic and cultural development. When not aired live—live broadcasts being made possible through the use of a mobile television station—the news segments were filmed on 16 mm film by traveling television crews. The...
The Irony of Fate, or Enjoy Your Bath!, a 1975 Soviet Film
In 1969, Soviet playwrights Emil Braginskiy and Eldar Riazanov wrote the play Enjoy Your Bath! Or Once Upon a Time on New Year’s Eve, which quickly became a favorite in Soviet theaters. In the early 1970s, the decision was made to adapt it for television, leading to the premiere of the two-part TV movie during the New Year’s holidays of 1975–1976. Much like the 1959 Moscow operetta about the Cheryomushki neighborhood, a popular theatrical plot was reimagined in a new medium—this time, not through cinema but television. Unlike the 1963 film musical Cheryomushki, the adaptation took the form of a television movie enriched with numerous musical interludes, which became widely popular after its...
Moscow, Cheryomushki, a 1959 Soviet Operetta
On December 24, 1958, the premiere of the three-act operetta Moscow, Cheryomushki took place at the Moscow Operetta Theatre. The music was composed by the renowned Soviet composer Dmitri Shostakovich, and the production was widely referred to in the media as the “Shostakovich operetta.” The official opening followed on February 24, 1959, and the work was met with favorable responses from both audiences and critics. The libretto was written by prominent Soviet playwrights and screenwriters Vladimir Mass and Mikhail Chervinsky. The stage production was directed by Vladimir Kandelaki and Leon Zaks, with Grigori Stoliarov as conductor, Georgi Kigel as set designer, and Halyna Shakhovska as choreographer. Two years after the premiere, Shostakovich’s friend,...
Cheryomushki, a 1963 Soviet Film
In 1961, the USSR’s cinematic authorities approved the idea of adapting the operetta Moscow, Cheryomushki into a film, and the search for a director began. The creators wanted someone with a musical background, so they turned to Herbert Rappaport, a professional musician. Rappaport had gained experience in musical cinema through his participation in Grigori Kozintsev’s Don Quixote (1957, Lenfilm), a renowned Soviet film that received international awards. Interestingly, Rappaport—an ardent admirer of the Austrian composer Gustav Mahler—enjoyed the music of the operetta. His idea to adapt the play into a film received support from Nikolai Rabinovich, professor at the Leningrad Conservatory and chief conductor of the local symphony orchestra, who became the conductor...
Bohdan Khmelnytskyi, a 1941 Soviet Propaganda Film
“Bohdan Khmelnytskyi” is a 1941 Ukrainian Soviet historical propaganda film directed by Ihor Savchenko. It is about the life of Bohdan Khmelnytskyi, the hetman of the Zaporozhian Cossacks, and the first years of Cossacks liberation war against the Polish nobility led by him. This film was shot at the Kyiv Film Studio (now the Oleksandr Dovzhenko National Film Studio). Its script was based on the 1939 play of the same name by the Ukrainian Soviet playwright and publicist Oleksandr Korniychuk.
Where Are We Headed?, a 1989 Mariupol Studio Film
Where Are We Headed? reflects the ideas of Perestroika. It shows the increasing concern among the grassroots movements over the environmental issues. The film was created at the amateur “Kadr” film studio in Mariupol, Ukrainian Soviet Socialist Republic. It addresses the most pressing environmental problems in Mariupol (in 1984-1989 called Zhdanov, after the Soviet revolutionary, politician, and accomplice in the Great Purge of 1937-1938, Andrei Zhdanov).
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Roman Buchko on Soviet Film Amateurs: Excerpt from an Interview on November 1, 2012
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Song of the Communist Labor Brigades
"Song of Communist Labor Brigades" was written in 1956 by the composer Arkady Filipenko (1912-1983), who, in addition to academic music, wrote works for operettas and films. The verses to the song were written by another outstanding figure of Soviet culture of the Ukrainian SSR, Oleksa Novitsky (1914-1992), who was a military correspondent during the war, and later became a Shevchenko scholar. Both authors had the "right" biographies for writing the anthem of the communist labor brigades, which was performed at official events in the Ukrainian SSR, and was also published in large numbers for performance by professional and amateur groups. The song has a solemn mood and asserts that the communist labor...
In addressing the causes of unlawful actions committed by high-ranking officials in the 1940s and 1960s, the authorities often attributed them to the lingering influence of pre-revolutionary capitalist mentalities among certain managers. This explanation lost credibility over time, as by the 1970s and 1980s, the leadership consisted largely of individuals born and fully socialized within the Soviet Union, supposedly free from the flaws of other, non-communist societies. In this module, Viktor Krupyna uses unpublished archival materials and available source collections to examine the widespread abuse of power by Soviet officials in the Ukrainian SSR in 1945-1991, its causes, scope, and consequences.
The Soviet Union positioned itself as a society of social equality, where the elimination of human exploitation was said to have achieved harmony in class relations. The eradication of social contradictions between the “top” and “bottom” (in Soviet terminology, the “exploiters” and “exploited”) was widely promoted as an indisputable and irreversible achievement of the Soviet state. Yet, this created a paradox: while this ideal was publicly championed, the significant social gap between the people and the so-called “people's power” was a reality that remained unacknowledged. This module by Viktor Krupyna focuses on the financial privileges of the Ukrainian Soviet nomenklatura.
The Soviet government aimed to profoundly transform the styles and structures of people’s everyday lives, encompassing housing, leisure, and work. Particularly ambitious projects were conceived and executed during the 1920s and 1930s. Workers were at the forefront of Soviet social policy, with the Bolshevik Communist Party depicted in Soviet discourse as the avant-garde of the proletariat, primarily serving the interests of the working class. Did these ideas correspond to practice, and at what cost were they realized? This will be discussed in the module by historian Roman Liubavskyi.
The early vision of amateur filmmaking in the Soviet Union was characterized by the pragmatic idea of using the new media not only for entertainment but also to involve a wide range of citizens in the production of newsreels and to create a network of correspondents across the country to cover the construction of socialism. However, despite sporadic attempts, this idea was not immediately implemented on a large scale. The lack of technology and sufficient equipment, and later the political climate of the 1930s, hindered this. It was only after liberalization and Khrushchev's reforms that the idea reappeared on the agenda.
The founders of the Soviet Union believed that the basis for new forms of labor was to be an amateur initiative and talents, of which the people have an endless source, managed by “nationwide accounting and control”. The method of introducing new forms of industry management was the widest propaganda of labor achievements. Soviet ideologists habitually cited Lenin who believed that labor could change a human being under socialism and advised how to organize socialist competition. This module by historian Bohdan Shumylovych is devoted to the topic of labor in communist propaganda, using the example of the 1960s.
У 1950–1960-х роках на підприємствах Радянської України поширилися практики, скеровані на удосконалення праці. Двигуном цього процесу були так звані передовики – учасники руху трудящих СРСР за комуністичне ставлення до праці та за виховання людини комуністичного суспільства.
Reflections
Portrait of Kyivan Prince Yaroslav the Wise by Soviet Historiography
In the 1930s, the Kyivan Prince Yaroslav the Wise sarcophagus was repeatedly the subject of scientific research attended by historians, doctors, museologists, anthropologists, and other scientists. For example, on 25 January 1936, a commission headed by the director of the Museum Town, M. Bahrii, examined the contents of the sarcophagus for the first time. At the bottom of the sarcophagus, they found a disorderly accumulation of bones belonging to a man and a woman, as well as small fragments of a child’s skull. The sarcophagus was opened for the second time in 1939. At that time, the commission, which included the famous Soviet scientist V. Ginzburg, decided to transfer the recovered bone remains...
In the last decade, the Ukrainian parliament has issued two laws outlining the legal framework for dealing with the Russian imperial and Soviet past. These laws have sparked numerous scholarly debates on how to address the imperial past, Ukraine's status as part of the Romanov Empire and the Soviet Union, and what to do with the cultural products created over the centuries. This course aims to explore the Soviet legacy in present-day Ukraine and provide students with the necessary theoretical and methodological tools for studying, researching, and writing about Soviet history and culture. The implications for modern Ukrainian identity and politics, particularly in the context of the ongoing war with Russia, will be...
Russia’s war of aggression against Ukraine has prompted many to reconsider Ukraine’s relationship to the question of what it means to “decolonize.” This present-day revaluation of Ukraine’s complex imperial inheritances has centered primarily on Ukraine’s historical relationship to the Russian Empire (and the Russocentric Soviet Union), often to the exclusion of Ukraine’s Ottoman, Austro-Hungarian, and other imperial inheritances. This tragic moment of reflection raises a number of bedeviling questions. How do we narrate a decolonial history of Ukraine? Is it possible, or desirable, to disentangle Ukrainian culture from empires of the past and present? Can we imagine a future political and economic order for Ukraine that is not wholly dependent upon more powerful...
This lecture course comparatively and transnationally investigates twentieth-century communism as a modern civilization with a global outreach. It looks at the global spread of communism as an ideology, an everyday experience, and a form of statehood in the Soviet Union, Europe, Asia (i.e.Mao’s China), and post-colonial Africa. With the exception of North America and Australia, communist regimes were established on all continents of the world. The course will examine this historical process from the October Revolution (1917) to the Chernobyl nuclear disaster (1986), which marked the demise of the communist state. The emphasis is not just on state-building processes or Cold War politics but primarily on the social, gender, cultural and economic policies that...
In our mini-course we will explore cultural interaction between Jews and non-Jews (Ukrainians, Poles, Russians) in the borderlands of the Habsburg and Romanov empires. This is interaction that may have been conscious or unconscious, and may have involved encounter, appropriation, negotiation, exchange and destruction.
This seminar explores ideas and practices of heritage in Eastern and Central Europe between 1945 and now. The course is designed as a set of five meetings, which will include short lecture introductions, seminar discussions, and at the end – practical workshop. Our meetings will be about discussing the texts, addressing cases you will read about or already know. Thіs the seminar will be our common effort in reading, asking questions and searching for answers. Therefore it is crucial that you will read assigned parts of selected texts and also consult texts from the recommended reading list. While reading assigned texts, please keep a short track of your ideas and formulate several questions...
This course covers the period from the partitions of Poland through the Russian and Habsburg Empires, the Soviet Union and interwar Poland. Students will familiarize with the geopolitical results of Russia’s westward and Austria’s eastward expansions and will focus among other overarching themes on the shtetl, the unique East European Jewish habitat; on Hasidism, a Ukraine-born popular movement of religious enthusiasm; on the interaction between Zionists and Ukrainian nationalists in Galicia; on the development of Ukrainization and Yiddishization (or Ukrainian and Jewish korenizatsiia) in the 1920s and the situation of Jews in Poland in the 1920s; on the Holocaust and its aftermath; on Ukrainians and Jews in the dissident movement; and on Jewish-Ukrainian...
This course was a part of Jewish History, Multiethnic Past, and Common Heritage: Urban Experience in Eastern Europe summer school.
At the end of the eighteenth century the Russian Empire acquired the largest Jewish population in the world. Although Jews and Christians had lived side by side with one another for over three hundred years in the Polish-Lithuanian Commonwealth, their life-worlds were distinct. The Great War, the Russian Revolution, and the Holocaust radically transformed the Jews of Russia, however, and the distinct culture of Russian-Jewry remains a crucial part of Jewish heritage today.