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Report by workers’ correspondents on the state of cultural and educational work in Kharkiv clubs in the 1920s
This newspaper article comprises reports by workers’ correspondents on the state of cultural and educational activities in Kharkiv clubs. The authors critique the process of electing club boards, offer recommendations on conducting them, highlight nepotism in position distribution, and denounce the use of alcohol and smoking in club premises. The Soviet government endeavored to transform workers’ clubs into model leisure facilities. Soviet leisure, as envisioned, encompassed active political engagement, self-education, and self-improvement for club attendees. However, visitors often favored traditional forms of recreation, and cultural workers frequently approached their duties perfunctorily. Clubs aimed to strike a balance between propaganda and entertainment, though maintaining it proved challenging. Hence, such reports were commonplace in periodicals....
A Socialist Town near Horlivka in Donbas Region, Ukraine: An Article from 1930
The article outlines the key features of a socialist town near Horlivka in Donbas region. This initiative mirrors similar projects undertaken in Kharkiv (“New Kharkiv”) and Zaporizhzhia (“Sixth Village”). The aim of the project is to maximize the socialization of workers’ daily lives. To achieve this goal, there were plans to develop an extensive network of catering and social infrastructure, including nurseries, kindergartens, clubs, and more. Designers envisioned these architectural solutions to alleviate women from household chores and involve them in community service or industry. The socialist town project exemplifies Soviet standardized housing construction, with neighborhoods, residential buildings, and interior designs intended to shape a new socialist lifestyle for its residents. Although such...
Kharkiv workers on the arrests of Soviet oppositionists in 1929
This document highlights the emergence of a totalitarian regime in the Ukrainian SSR at the grassroots level. In January 1929, J. Stalin emerged victorious over Leon Trotsky in the internal power struggle and opted to exile him from the USSR. Subsequently, there was a wave of arrests targeting supporters of the Trotskyist opposition or those perceived as such by the authorities. This crackdown extended to various enterprises in Kharkiv, the capital of the Ukrainian SSR at the time. The text captures the workers’ reflections on the government’s actions, their views on Trotsky, as well as the prevalence of anti-Semitic sentiments, among other topics. Discussions among workers at Kharkiv’s factories revolved around the arrests...
“A Collective of Individuals.” Booklet of the Volyn Amateur Film Studio, 1987
The source provided below is a promotional booklet from the Soviet amateur film studio “Volyn,” located in Lutsk. Unlike studios that were under the authority of and funded by trade union organizations, this studio was affiliated with the oblast department of culture. The booklet highlights the achievements and activities of the studio. This type of publication was widely circulated and exchanged at competitions and festivals of various levels. The presence of such printed materials could further indicate the level of financial support for the studio.
Program of the amateur film competition “For You, Motherland, Our Hard Work,” Kharkiv, 1974
This program is part of the multi-stage film selection for the Soviet-wide competition “For You, Motherland, Our Hard Work.” It features a compilation of works from the most active studios in the Ukrainian SSR at the time, including film titles and authors’ names. It provides information on the gender and social distribution within the amateur filmmaking movement, as well as its geographic spread. It is striking to note that most listed authors are men. Characteristically, each name is accompanied by a profession, though not always accurate, highlighting the diversity of individuals involved in amateurism. Attention can also be drawn to the film titles and their formats. Many amateurs utilized the professional 35mm format,...
Resolution on work of Lviv oblast amateur film studios, clubs, and cinematographers, 1986
This document is a resolution of the Lviv Oblast Council of Trade Unions regarding the organization of an oblast seminar for leaders of amateur film studios, clubs, and cinematographers. It is a common example illustrating the degree of formalization and bureaucratic structuring within the coordinated amateur film community during the Soviet era. In its contents, we discern a distinct chain of command prevalent within the inter-republican hierarchy: the Ukrainian Republican Council of Trade Unions — the Lviv Oblast Council of Trade Unions — the Lviv Oblast Club-Laboratory of Trade Union Cinematographers — People’s Film Studio (one among several).
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View on the Monument to the Soviet Constitution, Lviv 1940
The monument to the Soviet constitution, or the Stalin Constitution, was built in Lviv in October 1939. The authors were the sculptor Serhyi Lytvynenko and Kyiv artist Mykhailo Dmytrenko, it’s possible that, the artists adapted the project, originally conceived in Moscow, to the new city conditions. The sculptors Yevhen Dzyndra and Andryi Koverko carried out the project, but the participation of Lytvynenko’s student the young sculptor Yakiv Chaika is also a possibility. The monument was made in the ceramic-sculpture factory, which opened on Muchna St. in 1939. The location for the monument was chosen in the city centre, the “island” on the boundary mark of the Hetman embankments, between Yahellon’ska st. and Holy...
Members of the cinema club in the village of Novooleksandrivka, Ukrainian SSR, during a film shoot, May 1981
In addition to film studios, which predominantly comprised adults, the network of amateur filmmaking also encompassed groups tailored for children and teenagers, typically organized within houses of culture or schools. Oversight of these groups was typically carried out by representatives from People’s Studios and local film clubs. The archival caption of this photograph reads as follows: “Members of the cinema club at the House of Culture in the village of Novoaleksandrovka, Belovodsk district, Voroshilovgrad oblast, during a film shoot. From left to right: students Naydysh A, Petrov P, the club’s leader Kolesnik V. I., student Burian V. — village Novoaleksandrovka, 15 May 1981, by Y. Khromushyn (outdoors against the backdrop of a river).”
Film amateurs of the steam locomotive and car repair plant, photograph dated of 1956
“The initiators of a film studio at the steam locomotive and truck repair plant (from the left to the right) Slutskyn S.S., Art Club Director of Tool and Inventory Shop, Skybalo G.L., Director of Radio Broadcasting Center, and Zirka A.V. are looking through the first shots of the new film about the plant, Lviv December 7th, 1956". This archival record accompanies this photograph in the Central State Audio/Visual and Electronic Archive (until the recent times called Central State G.S. Pshenychnyi Filming Archive) in Kyiv. Despite it is the official representation of film amateurs that was probably created for the purpose of media publications, careful analysis of the details makes it possible to discern...
Wall newspaper of Kostyantynivka’ bottling plant, 1967
This wall newspaper is part of a series of wall newspapers from the Kostiantynivka bottling plant, created in 1967. The series consisted of 13 excerpts dedicated to local participants in the fights against the White Guards after the First World War. Thirteen newspaper issues reveal the plant's history, explain its name "13 Executed Workers Plant", and call for the publication of photographs and memories related to the confrontation with the White Guards. The presented here example tells the story of the family of Bobylov Aleksandr Semenovych and Bobylova-Chumychkina Mariia Semenivna, who were participants in the revolutionary movement. In 1918-1920, Kostiantynivka underwent numerous power changes, seized first by the White Guards and then by...
A worker from the Lviv Confectionery Factory “Bilshovyk,” T.M. Etinger, at work, 1956
The photo is part of the collection of press photos from the State Archives of Lviv Region showing different economic areas: industry, agriculture, culture, and sports. The photo shows a worker of Lviv Confectionery Factory, T.M.Etinger. According to the accompanying inscription, she is “one of the best” workers, a labour veteran). She is captured at making a Kremlin’s Savior Tower. The nature of this photo and of the entire collection implies the genre of press photos that had to accompanied by a text (newspaper publication). The photo was meant to illustrate the message, to make it sound more convincing, to encourage and inspire the reading workers to accomplish more in their labour. In...
Olha Maria Zhydacek and her husband Hryhoriy Bandurka, Lviv, spring 1939
This photo is a testimony to a photographic practice popular in the 1930s. It was about making portraits of passers-by on the city streets. Such photos often recorded people in motion in the middle of a large street, and seemed to emphasize the belonging of those depicted characters to urban culture. In view of this, the genre of such photography can be called street portrait, the street and commercial photography. The photo shows the great-grandmother and great-grandfather of Bozhena Pelenska — Olha-Maria Zhydacek and her husband Hryhoriy Bandurka (b. 1899). Based on the Bozhena's memories, the story was recorded of the photograph and of the people in it. The photo was taken on...
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“Screen of Pryazovia” (Pryazovskyi Ekran) № 1, 1969
This newsreel is a valuable source on the history of the development of the Mariupol industry. It was produced by the city club of film amateurs. Following the example of the Ukrkinochronika studio in the capital city which published the main newsreels in the republic, the authors of this piece created a short film report with 4 stories that tell about the deputies, the introduction of innovations in blast furnace steelmaking, about the winners of the socialist competition, and about the meeting of workers with a Soviet cosmonaut.
Collective of Communist Labor at Shoe Factory, 1960
Television news of the Lviv Television Studio followed the operators of Ukrkinochronika who chose shoe factory No. 3 as a model enterprise of the city’s light industry. The television camera shows to the audience Kateryna Lysak, an exemplary employee of the enterprise that was granted a status of a “communist labor enterprise”. At such enterprises, the example of the pioneers was to be followed by other workers, and a television clip told the people of Lviv about leaders of production and how the shoe factory was developing.
![Image for The Morality of Mrs. Dulska, 2013 TV Movie [Moralność pani Dulskiej]](https://edu.lvivcenter.org/wp-content/uploads/2022/10/moralnosc-pani-768x508.jpg)
The Morality of Mrs. Dulska, 2013 TV Movie [Moralność pani Dulskiej]
It is a screen adaptation of the same name work by the Polish writer Gabriela Zapolska, written in 1906. The play's plot reveals the problem of social inequalities and moral degradation of the Galician society at the turn of the nineteenth and twentieth centuries, where these inequalities were crucial. The author chose female characters as protagonists. According to literary critics, the prototype of the main character in this text, Aneli Dulska, was a prominent Lviv-based author, Mrs. Golanbova (pani Gołąbowa). The prototype’s name is also associated with a Lviv woman named Czeslawa Dulska. In response to a survey published in 1905 by the famous local newspaper Wiek Nowy, she described her housekeeping system...
For the Family Hearth, a 1970 film
The film is an adaptation of the novel of the same name by Ivan Franko, written in 1892. In his story, the problem of sexual slavery (or “white slavery” in the terms of those times) and women’s engagement as its victims and enablers. The author’s choice of topic must have been influenced by the lawsuits against human traffickers that were actively taking place in Galicia at this time. One of the most high-profile cases was the Lviv trial in 1892 against 27 traffickers (men and women) accused of organizing sexual traffic abroad. The investigation confirmed 29 cases of selling girls from Galicia to brothels in Constantinople, Egypt, and India. The “white slavery” usually...
Roman Buchko on Soviet Film Amateurs: Excerpt from an Interview on November 1, 2012
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“Oh, in the meadow blooms the red viburnum,” a Ukrainian resistance song
This source is an audio recording of the folk version of the one of the most popular Ukrainian resistance songs. It is known by various titles: “The rifleman’s Anthem,” [Cтрілецький гімн] “The song of the viburnum,” [Пісня про калину] or “Oh, in the meadow blooms the red viburnum” [Ой у лузі червона калина]. The song’s worldwide spread was facilitated by the performance of Andriy Khlyvnyuk, the lead singer of the Boombox band, who on February 28, 2022, the fourth day of Russia’s full-scale attack on Ukraine, sang only the first stanza of the song. His performance on St. Sophia Square in Kyiv led to the emergence of remixes. Among the many performers are...
Legend about the “disguised emperor” during the First World War
This source is the audio recording of the legend about the events of the First World War. The storyline describes an “emperor” who was incognito inspecting his army and its provisions. The prototype for the protagonist is Franz Josef I (1830–1916), the emperor of the Austrian Hungarian Empire. This artistic image shows the elements of naive monarchism. The type of “just and kind” ruler is based on his favorable attitude to Galician Ukrainians, who he took as loyal to the Habsburgs. This social myth about the “loyal troops” consisting of Ukrainians was reflected in the prose but also in songs from the late 19th and early 20th centuries. Our emperor is getting old...
Grine kuzine (Green Cousin), song about emigration, 1921
The song, with a debatable authorship, was written for a Jewish theater. It was performed both in Europe and in the United States, and it became one of the most popular migrant works. The word “green” was an ironic definition of new immigrants who did not navigate well in American reality. The song “Green Cousin” raises the issue of disappointment of migrants in America, where hard work exhausts new-comers and does not bring the expected profit. The “Columbian state” appears not as a dream country where dreams come true, but a society of inequalities. Despite the hilarious music and satirical plot, the song shows the anxiety of emigrants due to the lack of...
A brivele der mamen (A Little Letter to Mama), song about emigration, 1907
The song was written by a Belarusian composer and singer, Solomon Smulewitz (1868-1943) in 1907. The author also had experience of migration to the United States. The song became very popular. In particular, it was used as a basis for a theatrical production and a film in Yiddish. The work raises the issue of migration caused separation of families. While the son who went to America has a successful life and a new family, his mother feels abandoned. Before her death, she asks her son not to forget to read Kaddish, a memorial prayer for her. The problem of separated families remained common to all migrants, but in this text the Jewish prayer...
“Goldene land” (Golden land), song about emigration, 1889
The song was written by a Lithuanian Jewish poet, Eliakum Zunser (1840-1913) based on his own experience of emigrating to the United States. The song "Golden Land" touches on the issue of new migrants, whose high expectations fail. The American city turns out to be a space full of dirt, noise, and poverty. Although jobs are available, they are poorly paid and dangerous to health. America is also not a place of social equality, because like in Europe, there is a disproportion in the distribution of wealth. This is an urban experience that was shared by many Jewish migrants who found work in the textile industry, or like Zunser himself, in the printing...
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