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Image for The Morality of Mrs. Dulska, 2013 TV Movie [Moralność pani Dulskiej]

It is a screen adaptation of the same name work by the Polish writer Gabriela Zapolska, written in 1906. The play’s plot reveals the problem of social inequalities and moral degradation of the Galician society at the turn of the nineteenth and twentieth centuries, where these inequalities were crucial. The author chose female characters as protagonists. According to literary critics, the prototype of the main character in this text, Aneli Dulska, was a prominent Lviv-based author, Mrs. Golanbova (pani Gołąbowa). The prototype’s name is also associated with a Lviv woman named Czeslawa Dulska. In response to a survey published in 1905 by the famous local newspaper Wiek Nowy, she described her housekeeping system based on selfishness, stinginess, and strict attitudes to housemaids. Lviv, as a setting of the story, is also illustrated by the city-related toponyms mentioned in the report. Mr. Dulski takes a walk on the High Castle. The text also mentions the names of the then Lviv suburbs, Bryukhovychi and Zamarstyniv. The film adaptation by Marcin Vrona offers a modern interpretation of the key theme of Gabriela Zapolska.

Title:

The Morality of Mrs. Dulska, 2013 TV Movie [Moralność pani Dulskiej]

Author:
Gabriela Zapolska (drama), Marcin Vrona (screen adaptation)
Year:
2013
See more:
watch the film
Original language:
Polish

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Documents (3)

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An article in the monthly “Świat Płciowy” about prostitution in Lviv, 1905
The article published in the famous Polish-language monthly "Świat Płciowy" on prostitution in Lviv was based on statistical data for 1904. In the Austro-Hungarian Empire, the state attempted to control prostitution through the policing of prostitutes. Such monitoring and control systems distinguished between two forms of the sex trade: open prostitution (registered) and clandestine (unregistered). The persons suspected in the latter were subject to legal prosecution. Registered prostitutes had to undergo regular checks with a doctor at their own expense, and pay for their treatment themselves, if any such need was necessary. This circumstance was one of the most obvious reasons for avoiding entry into the register. According to a study by Nancy...
Image for The Case of Maria Shutek on Infanticide, Lviv, 1870-1871
The Case of Maria Shutek on Infanticide, Lviv, 1870-1871
It is a fragment of the interrogation of Maria Shutek on the case of infanticide, where the woman was accused by the Lviv Regional Court in 1870. There, she explains her version of the crime and the background preceding the act. Detailed autobiographical evidence required from the defendants, taking into account the needs of the investigation, help us draw a picture of the Maria's crime and her life. Although they are written contrary rather than due to the will, autobiographical narratives of criminal stories (paradoxically) can claim a much more balanced representation than classical autobiographies since in their creation, they were directly corrected by the testimonies of others. Given the need for legal...
Image for Anna Pavlyk Essay “Worker girl” Lviv, 1887
Anna Pavlyk Essay “Worker girl” Lviv, 1887
It is a polemical essay by a young Ukrainian socialist, Anna Pavlyk, about urban female workers and the challenges of their status as wage-earners and low-paid participants in the urban labor market. Anna knew about the peculiarities of this status from the first month. The woman worked as a seamstress or a maid for most of her life. The essay was published in Lviv in 1887 in a women's almanac, "The First Wreath." It was initiated and published by writers Natalia Kobrynska and Olena Pchilka as the first Ukrainian-language publication of women authors. Anna Pavlyk attempts to produce a collective portrait of the lowest strata of the social ladder – the daughters of...
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Image for For the Family Hearth, a 1970 film
For the Family Hearth, a 1970 film
The film is an adaptation of the novel of the same name by Ivan Franko, written in 1892. In his story, the problem of sexual slavery (or “white slavery” in the terms of those times) and women’s engagement as its victims and enablers. The author’s choice of topic must have been influenced by the lawsuits against human traffickers that were actively taking place in Galicia at this time. One of the most high-profile cases was the Lviv trial in 1892 against 27 traffickers (men and women) accused of organizing sexual traffic abroad. The investigation confirmed 29 cases of selling girls from Galicia to brothels in Constantinople, Egypt, and India. The “white slavery” usually...
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Related modules (1)

In the 19th century, the gender pact dividing public and private spheres, as man-owned and women-inhabited, found its most solid reasoning. The separation of the private and the public was accelerated by the Industrial Revolution when it fixed a role of the key “bread-winner” for the man. The gender-divided lines of responsibility certainly existed before the 19th century, but the role of women in family economy before the Industrial Revolution was much more visible. Since the Enlightenment era, the idea of the private and the public (as female and male, respectively) has been included in legal codes of most European states. This way, the new economic order was enshrined in the law, where...

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On Sunday, September 10, 1893, at about 11 p.m., in the vicinity of ul. Rappaporta, Maria Kopańska, a maid, was attacked by four men — Stanisław Julian Starzewski, Michał Bendyk, Antoni Równy and Emil Bilo. The company was returning from a restaurant on ul. Szpitalna. As they later admitted, they "had been drinking vodka and beer" there. On ul. Rappaporta they saw Maria, who was walking home alone from a wedding. For the woman, the encounter ended in a gang rape. The court proceedings, which soon began on the victim's claim, although confirming the fact of violence, released three defendants from criminal liability. The fourth one, Emil Bilo, was never brought to trial,...
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Ivanna Cherchovych

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“Moralność pani Dulskiej” (2013, director Marcin Vrona), screenshot

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