Industry
We tend to understand pre-modern societies through the methods of production that they mastered during their history (like the Bronze Age or the Iron Age) or through how they produced and managed energy (wind, water, or oil). But when dealing with early modern or modern societies, researchers tend to formulate separate arguments about the political, industrial, social, and religious history of the period and sometimes overlook how these issues intersect. It is just as reductive to understand a particular society’s history through industry alone, as it is to overlook how indispensable industry is in shaping a society’s history. Therefore, the theme of Industry strives to acknowledge both the site of production and the processes of consumption and consumerism that follow, and to articulate the historical experiences of working people, power systems, and places where industries were located and developed. We are interested in, but not limited to, issues of technology and innovation, production and social life, urban planning and residential areas of workers, competition and labor, etc. We believe that we can gain a better understanding of a society’s history by focusing on the ways in which it sustained itself, which often relies on a deep understanding of its industry.
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Primary Sources
A Socialist Town near Horlivka in Donbas Region, Ukraine: An Article from 1930
The article outlines the key features of a socialist town near Horlivka in Donbas region. This initiative mirrors similar projects undertaken in Kharkiv (“New Kharkiv”) and Zaporizhzhia (“Sixth Village”). The aim of the project is to maximize the socialization of workers’ daily lives. To achieve this goal, there were plans to develop an extensive network of catering and social infrastructure, including nurseries, kindergartens, clubs, and more. Designers envisioned these architectural solutions to alleviate women from household chores and involve them in community service or industry. The socialist town project exemplifies Soviet standardized housing construction, with neighborhoods, residential buildings, and interior designs intended to shape a new socialist lifestyle for its residents. Although such...
Kharkiv workers on the arrests of Soviet oppositionists in 1929
This document highlights the emergence of a totalitarian regime in the Ukrainian SSR at the grassroots level. In January 1929, J. Stalin emerged victorious over Leon Trotsky in the internal power struggle and opted to exile him from the USSR. Subsequently, there was a wave of arrests targeting supporters of the Trotskyist opposition or those perceived as such by the authorities. This crackdown extended to various enterprises in Kharkiv, the capital of the Ukrainian SSR at the time. The text captures the workers’ reflections on the government’s actions, their views on Trotsky, as well as the prevalence of anti-Semitic sentiments, among other topics. Discussions among workers at Kharkiv’s factories revolved around the arrests...
“Proletarian Journey” in Soviet Ukraine by Fred E. Beal, 1937
Fred Beal’s memoir, A Proletarian Journey: New England, Gastonia, Moscow, was published in New York in 1937. Beal, an American textile worker deeply involved in the labor movement and trade union organizing, resided in the socialist city of “Novyi Kharkiv” [New Kharkiv] from 1931 to 1933, which was established for workers of the Kharkiv Tractor Plant. This city served as a foreign enclave, hosting up to 800 workers and their families. In 1933, prompted by his experiences, Beale published a propaganda pamphlet in English titled Foreign Workers in a Soviet Tractor Plant: A Pictorial Survey of the Life of Foreign Workers and Specialists During the Period of Socialist Construction 1931-1933 (M-L: Iskra revolutsii,...
Special Report on Women’s Conditions in Soviet Industry (Dnipropetrovsk Region), 1929
This document contains workers' reflections on the Soviet policy of involving women in manufacturing. The authorities intentionally collected them [reports] in order to enable a more realistic assessment of the current domestic political situation. The study of such reports became possible after Ukraine gained independence, as they were all classified during the Soviet era. Analysis of this source will allow us to see the implementation of Soviet gender policy in industry on a daily basis. The text describes the problems that women faced at work: prejudiced attitudes of men, difficult working conditions, pay inequality, the declarative nature of changes in the status of Soviet women, etc. The document records men's reactions to women's...
Reaction of the USSR workers to the Soviet-Chinese conflict in July-December, 1929
The presented report shows the reaction of population in the USSR to the Soviet-Chinese conflict in July-December, 1929 over the control on Chinese Eastern Railway. The text includes opinions expressed by workers from Ukrainian industrial plants and mines in their private conversations, and in the work teams. They illustrate a wide range of opinions dominating in society: from ardent support of the Soviet Union in the conflict, and calls to go to the front, to denying the need for confrontation. It must be highlighted that discussions of the condition and provisions in the Soviet Army would often end up in reflections about the causes of internal economic problems in the country. Many workers...
Concerning the Intensification of the Fight Against Persons Who Avoid Socially Useful Work, statement 1961
The Soviet authorities not only motivated workers to labor feats, but also punished those who refused selfless work for the benefit of the motherland. For example, in February 1948, a decree of the Presidium of the Supreme Soviet of the USSR was signed "On the eviction from the Ukrainian SSR of persons who maliciously avoid work in agriculture and lead an anti-social, parasitic lifestyle." Similar approaches were approved by the resolution of the RSFSR from 1961, which encouraged to identify (that is,to report), punish and even imprison people who chose a non-socialist way of life. The document shows that despite official claims about the advantages of communist production and socialist competition, many people...
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Film amateurs of the steam locomotive and car repair plant, photograph dated of 1956
“The initiators of a film studio at the steam locomotive and truck repair plant (from the left to the right) Slutskyn S.S., Art Club Director of Tool and Inventory Shop, Skybalo G.L., Director of Radio Broadcasting Center, and Zirka A.V. are looking through the first shots of the new film about the plant, Lviv December 7th, 1956". This archival record accompanies this photograph in the Central State Audio/Visual and Electronic Archive (until the recent times called Central State G.S. Pshenychnyi Filming Archive) in Kyiv. Despite it is the official representation of film amateurs that was probably created for the purpose of media publications, careful analysis of the details makes it possible to discern...
Wall newspaper of Kostyantynivka’ bottling plant, 1967
This wall newspaper is part of a series of wall newspapers from the Kostiantynivka bottling plant, created in 1967. The series consisted of 13 excerpts dedicated to local participants in the fights against the White Guards after the First World War. Thirteen newspaper issues reveal the plant's history, explain its name "13 Executed Workers Plant", and call for the publication of photographs and memories related to the confrontation with the White Guards. The presented here example tells the story of the family of Bobylov Aleksandr Semenovych and Bobylova-Chumychkina Mariia Semenivna, who were participants in the revolutionary movement. In 1918-1920, Kostiantynivka underwent numerous power changes, seized first by the White Guards and then by...
Members of the Communist Labor Brigade and the presentation of Komsomol tickets at the Mariupol Heavy Machinery Plant
The photo shows the moment of the ceremonial presentation of a Komsomol ticket to an employee of the Mariupol heavy engineering plant. In addition to the ticket, a party or Komsomol functionary hands an unknown woman a pennant, which may indicate that this new Komsomol member has already achived significant results in the performance of the party’s labor tasks. Most likely, she is a representative of the leaders of the plant, and it was important for the Soviet system that the leaders of the production were part of the Komsomol-party asset. If we follow the name of this source, then the young worker is part of the “communist labor brigade”, which was an...
“Where Are We Headed?”, film 1989
Where Are We Headed? reflects the ideas of Perestroika. It shows the increasing concern among the grassroots movements over the environmental issues. The film was created at the amateur “Kadr” film studio in Mariupol, Ukrainian Soviet Socialist Republic. It addresses the most pressing environmental problems in Mariupol (in 1984-1989 called Zhdanov, after the Soviet revolutionary, politician, and accomplice in the Great Purge of 1937-1938, Andrei Zhdanov). The filmmakers employed various narrative methods: voice-over narration; shots of city scenes and landscapes; filming near industrial enterprises; landscapes and close-ups of rivers and coastal areas; overlaying visuals with a list of harmful chemicals; and excerpts from expert commentary (including the chairwoman of the City...
Bilka, film,12 minutes
A film by amateur filmmaker Roman Buchko, co-directed with Volodymyr Bordiuk and Roman Chyzhyk. The film is named after the Bilka River in Lviv Oblast, a right tributary of the Poltva (Vistula River basin). It was created at the Murator People’s Film Studio of the Lviv House of Culture of Builders. The triple authorship reflects the specifics of amateur filmmaking in the USSR, where any amateur activity had to be collective. The chosen topic and content of the work were characteristic of Roman Buchko, who systematically worked with this theme. Buchko hailed from the area depicted in the film, the village of Hai, near Zvenyhorod. Noteworthy is that Volodymyr Bordiuk, head...
ASUP Can Do More: A 1975 TV Story by Lviv Television
A 1975 news report made for Lviv television describes the use of the ASUP (Avtomatyzovana systema upravlinnya pidpryjemstvom - Automated Enterprise Management System) at the Lviv Electron plant, one of the largest TV manufacturers in the Soviet Union. Developed in cooperation with the Kyiv Institute of Cybernetics between 1964 and 1969, the system employed an electronic computer to perform calculations and record production data, marking the first implementation of its kind in the Soviet Union. The story emerged during a period of technological optimism in Soviet state policy, with the fields of cybernetics and computer engineering having developed over nearly two decades. By 1967, more than 500 institutions and tens of...
The Electronic Eyes of a Traffic Inspector: A 1971 TV Story by Lviv Television
A 1971 television story produced for Lviv Television news describes an experiment using television cameras to regulate traffic at one of the busiest intersections in the center of Lviv. The source does not provide information about the authors or the context of the device’s development. However, it is known that the Electron plant, one of the largest TV manufacturers in the city at the time, operated a special design bureau for television equipment. This suggests the presence of technological expertise and infrastructure capable of developing such devices using the relatively new technology of transmitting images via television signals. This technology was becoming increasingly popular in various fields, including traffic control. The...
“Screen of Pryazovia” (Pryazovskyi Ekran) № 1, 1969
This newsreel is a valuable source on the history of the development of the Mariupol industry. It was produced by the city club of film amateurs. Following the example of the Ukrkinochronika studio in the capital city which published the main newsreels in the republic, the authors of this piece created a short film report with 4 stories that tell about the deputies, the introduction of innovations in blast furnace steelmaking, about the winners of the socialist competition, and about the meeting of workers with a Soviet cosmonaut.
Collective of Communist Labor at Shoe Factory, 1960
Television news of the Lviv Television Studio followed the operators of Ukrkinochronika who chose shoe factory No. 3 as a model enterprise of the city’s light industry. The television camera shows to the audience Kateryna Lysak, an exemplary employee of the enterprise that was granted a status of a “communist labor enterprise”. At such enterprises, the example of the pioneers was to be followed by other workers, and a television clip told the people of Lviv about leaders of production and how the shoe factory was developing.
Song of the Communist Labor Brigades
"Song of Communist Labor Brigades" was written in 1956 by the composer Arkady Filipenko (1912-1983), who, in addition to academic music, wrote works for operettas and films. The verses to the song were written by another outstanding figure of Soviet culture of the Ukrainian SSR, Oleksa Novitsky (1914-1992), who was a military correspondent during the war, and later became a Shevchenko scholar. Both authors had the "right" biographies for writing the anthem of the communist labor brigades, which was performed at official events in the Ukrainian SSR, and was also published in large numbers for performance by professional and amateur groups. The song has a solemn mood and asserts that the communist labor...
The Soviet government aimed to profoundly transform the styles and structures of people’s everyday lives, encompassing housing, leisure, and work. Particularly ambitious projects were conceived and executed during the 1920s and 1930s. Workers were at the forefront of Soviet social policy, with the Bolshevik Communist Party depicted in Soviet discourse as the avant-garde of the proletariat, primarily serving the interests of the working class. Did these ideas correspond to practice, and at what cost were they realized? This will be discussed in the module by historian Roman Liubavskyi.
The founders of the Soviet Union believed that the basis for new forms of labor was to be an amateur initiative and talents, of which the people have an endless source, managed by “nationwide accounting and control”. The method of introducing new forms of industry management was the widest propaganda of labor achievements. Soviet ideologists habitually cited Lenin who believed that labor could change a human being under socialism and advised how to organize socialist competition. This module by historian Bohdan Shumylovych is devoted to the topic of labor in communist propaganda, using the example of the 1960s.
У 1950–1960-х роках на підприємствах Радянської України поширилися практики, скеровані на удосконалення праці. Двигуном цього процесу були так звані передовики – учасники руху трудящих СРСР за комуністичне ставлення до праці та за виховання людини комуністичного суспільства.
The course invites to look at the history of Soviet Ukraine from the perspective of its everyday practices. Using many visual sources from 1922 to 1991, students will explore daily routines, housing, clothing, transportation, leisure, and music consumption in urban and rural settings. Periods of peace, war, and crisis will receive equal attention so that one can see how global developments were experienced on a microlevel. Students will explore how maintaining everyday objects and personal habits was essential for building personal safety in different historical contexts. The everyday histories of Soviet Ukraine will also provide a deeper insight into the standard historical narratives about East-European societies, particularly their dialogue with the global society...
This mini-course introduces you to a field: cultural history. Cultural historians question how to analyze, articulate, and define how people ascribe meaning to various ideas, objects, and practices. You’ll acquire a “toolbox” of analytic frames useful for research in any field of study or cultural practice. For our “case study” of cultural history, we will delve into the history of the arts in the Russian Empire and Soviet Union from the late Imperial to the Stalinist period. This is not a comprehensive course on the arts in Russia or the Soviet Union, by any means. Rather, we will focus on the world of the arts by examining social, political and economic structures as...