5. Lviv Avant-Garde Interlude: Intercultural Sources of the Polish Avant-Garde. Piotr Rypson
This lecture is focusing on the role of the ex-futurist Bruno Jasieński, who worked as a magazine chief editor during his short Lwów/L’viv biographic episode. In 1923 the poet married Kara Arem, the daughter of a wealthy Lviv merchant and connected his life with the city. In 1925, couple left for Paris, where Jasieński worked as a correspondent for Lwów’s magazines “Wiek Nowy,” “Kurier Lwowski,” and “Gazeta Poranna.” In the richly illustrated magazine “Winnica,” published by “Ateneum” and targeting the bourgeois Lwów milieu, Jasieński offered a panorama of erotic literary forms and artworks, engaging in the process of magazine creation his past futurist public image.
This lecture is focusing on the role of the ex-futurist Bruno Jasieński, who worked as a magazine chief editor during his short Lwów/L’viv biographic episode. In 1923 the poet married Kara Arem, the daughter of a wealthy Lviv merchant and connected his life with the city. In 1925, couple left for Paris, where Jasieński worked as a correspondent for Lwów’s magazines “Wiek Nowy,” “Kurier Lwowski,” and “Gazeta Poranna.” In the richly illustrated magazine “Winnica,” published by “Ateneum” and targeting the bourgeois Lwów milieu, Jasieński offered a panorama of erotic literary forms and artworks, engaging in the process of magazine creation his past futurist public image.